Art Whisper
Art Whisper
Stop to appreciate this mezzotint, a 17th-century printmaking innovation that allowed for incredibly rich, velvety tones, perfect for capturing the dramatic intensity of this executioner's face.
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A stark, almost menacing face emerges from the deep shadows in this mezzotint, capturing the "Head of Executioner." The figure's brow is furrowed, his eyes intense, conveying a grim determination. Mezzotint, a printing technique new to England around 1654, allowed for an unprecedented richness of tone and velvety blacks, which you can see in the dramatic contrast between the executioner's illuminated face and the dark background. This particular print is one of several copies of an original by Prince Rupert, who introduced mezzotint to England. It appeared in John Evelyn's *Sculptura*, a significant 17th-century treatise on printmaking, showcasing the innovative possibilities of this new artistic medium.
Observe the deep, velvety blacks characteristic of mezzotint.
Notice the texture of the executioner's hair, almost lost in shadow.
See the subtle highlights on his forehead and nose.
Stop to appreciate this mezzotint, a 17th-century printmaking innovation that allowed for incredibly rich, velvety tones, perfect for capturing the dramatic in…
John Bornet, active across centuries, is known for works like the 1961 'Target' and the 1943 'Nightlife' at the Art Institute of Chicago.
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