“Dutchwoman with Leopard,” from the series Pictures of Birds and Animals (Chōjū zue) by Utagawa Yoshimori

“Dutchwoman with Leopard,” from the series Pictures of Birds and Animals (Chōjū zue)

Utagawa Yoshimori · 1860

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“Stop and look at this vibrant print of a Dutchwoman and a leopard. It captures Japan's curiosity about the outside world during a period of opening, blending exotic subjects with striking color and composition.”

ABOUT THIS WORK

In this dynamic woodblock print, a Dutchwoman stands confidently beside a leopard, a striking example of Japan's fascination with foreign visitors and exotic animals during the late Edo period. Her red dress, adorned with white ruffles and a wide blue sash, contrasts vividly with the leopard's spotted fur, highlighting the vibrant colors made possible by new printing techniques. The woman’s direct gaze and the leopard’s alert posture suggest a moment of shared attention, perhaps even a performance. This image, part of a series titled “Pictures of Birds and Animals,” reflects a specific moment in Japanese history when Yokohama, a newly opened port, became a hub for international exchange, bringing unfamiliar sights and people to public attention. The composition, with its strong diagonal lines and bold outlines, draws the viewer into this intriguing cross-cultural encounter.

DETAILS
Artist
Utagawa Yoshimori
Date
1860
Medium
Woodblock print; ink and color on paper
Location
The Metropolitan Museum of Art
Dimensions
Image: 14 1/4 x 9 1/2 in. (36.2 x 24.1 cm)
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What to Notice

Five details hide in plain sight. Here’s where to look.

“Dutchwoman with Leopard,” from the series Pictures of Birds and Animals (Chōjū zue)
01

The leopard's intricately patterned fur and sharp claws.

02

The Dutchwoman's ruffled dress and the details of her lace cap.

03

The subtle shading that gives depth to the figures.

04

The woman's direct eye contact with the viewer.

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THE ARTIST

Utagawa Yoshimori

1830–1885 · Japan

Utagawa Yoshimori captured a changing Japan, from the bustling port of Yokohama to the arrival of Westerners, in his vibrant ukiyo-e woodblock prints.

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