“Step into a bustling 19th-century Japanese port in this vivid woodblock print. It captures Yokohama's transformation as it opened to the world, full of international ships, diverse people, and a fascinating blend of old and new architecture.”
This vibrant woodblock print offers a sweeping view of Miyozaki in Yokohama, a bustling port city in Japan during a period of rapid modernization. The scene is alive with activity, capturing the dynamic interaction between Japanese and foreign cultures. You can see a mix of traditional Japanese architecture alongside more Western-style buildings, reflecting the city's role as a hub for international trade after Japan reopened its borders. The artist, Utagawa Yoshimori, created this diptych in 1860, a pivotal year for Yokohama as it was established as a treaty port. This print serves as a visual record of that transformation, highlighting the diverse population and the novel sights that would have greeted visitors and residents alike. It’s a snapshot of a moment when Japan was engaging with the wider world, depicted with an almost journalistic eye for detail.
- Artist
- Utagawa Yoshimori
- Date
- 1860
- Medium
- Color woodblock print; oban diptych
- Location
- Art Institute of Chicago
What to Notice
Five details hide in plain sight. Here’s where to look.

Look for the distinct flags flying from ships and buildings, indicating different nationalities.
Notice the variety of figures, some in traditional Japanese attire, others in Western clothing.
Observe the blend of architectural styles, from tiled roofs to multi-story brick structures.
Spot the steamships alongside traditional Japanese boats in the harbor.
1 more detail is waiting.
See all 5 in Art Whisper →Stand in front of it and listen
The full narration walks you through View of Miyozaki in Yokohama (Miyozaki Yokohama ichiran) — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Utagawa Yoshimori
1830–1885 · JapanUtagawa Yoshimori captured a changing Japan, from the bustling port of Yokohama to the arrival of Westerners, in his vibrant ukiyo-e woodblock prints.
More works to explore
Beyond Yoshimori: works from the same years.
Same era · 1840s–1870s
The Backgammon Players
Philip Webb · 1861 · The Metropolitan Museum of Art
Same era · 1840s–1870s
The Cottage by the Roadside, Stormy Sky
Léon-Victor Dupré · 1855 · Art Institute of Chicago
Same era · 1840s–1870s
Young Spartan Girls Challenging Boys
Edgar Degas · 1860 · Art Institute of Chicago
Same era · 1840s–1870s
Monsieur Suisse
Gustave Courbet · 1861 · The Metropolitan Museum of Art
Same era · 1840s–1870s
Pools by the Seaside
William Hart · 1861 · Buffalo AKG Art Museum
Same era · 1840s–1870s
An Arab Warrior
Mariano Fortuny Marsal · 1862 · Hispanic Society of America
Same era · 1840s–1870s
Lion Hunt
Eugène Delacroix · 1858 · Museum of Fine Arts Boston
Same era · 1840s–1870s
The Sheepshearers
Jean-François Millet · 1857 · Art Institute of Chicago
Same era · 1840s–1870s
Alfred Sisley
Pierre-Auguste Renoir · 1864 · Foundation E.G. Bührle Collection
Same era · 1840s–1870s
Beggar with a Duffle Coat (Philosopher)
Édouard Manet · 1864 · Art Institute of Chicago
Same era · 1840s–1870s
The Banks of the Marne in Winter
Camille Pissarro · 1866 · Art Institute of Chicago
Same era · 1840s–1870s
Joséphine-Éléonore-Marie-Pauline de Galard de Brassac de Béarn (1825–1860), Princesse de Broglie
Jean-Auguste-Dominique Ingres · 1853 · Metropolitan Museum of Art
