“Step into a vibrant 19th-century Yokohama, where Japanese and Western cultures meet in a bustling port. This woodblock print captures the dynamic energy of a city opening to the world, offering a vivid snapshot of historical change.”
This vibrant woodblock print captures a bustling scene in Miyosaki, a district of Yokohama, around 1860. The port city, recently opened to foreign trade, hums with activity. We see both Japanese residents and newly arrived Westerners navigating the streets, their distinct attire and customs creating a visual tapestry of cultural exchange. The composition, a diptych, allows for a panoramic view, drawing our eye across the lively thoroughfare towards the distant bay. This artwork offers a glimpse into a pivotal moment in Japanese history, as the country embraced international engagement after centuries of isolation. It's a snapshot of a world in transition, where tradition meets modernity and different cultures begin to intertwine, reflected in the varied figures and architecture depicted.
- Artist
- Utagawa Yoshimori
- Date
- 1850
- Medium
- Diptych of woodblock prints; ink and color on paper
- Location
- The Metropolitan Museum of Art
- Dimensions
- Oban; 13 7/8 x 18 7/8 in. (35.2 x 47.9 cm)
What to Notice
Five details hide in plain sight. Here’s where to look.

Observe the distinct fashion of the Westerners, particularly their hats and coats.
Look for the traditional Japanese architecture, with its tiled roofs and sliding screens.
Notice the ships in the distance, signaling Yokohama's status as a port city.
See the variety of activities: people walking, conversing, and going about their day.
1 more detail is waiting.
See all 5 in Art Whisper →Utagawa Yoshimori
1830–1885 · JapanUtagawa Yoshimori captured a changing Japan, from the bustling port of Yokohama to the arrival of Westerners, in his vibrant ukiyo-e woodblock prints.
Further Works by Yoshimori
More works to explore
Beyond Yoshimori: works from the same years.
Same era · 1830s–1860s
The Cottage by the Roadside, Stormy Sky
Léon-Victor Dupré · 1855 · Art Institute of Chicago
Same era · 1830s–1860s
The Backgammon Players
Philip Webb · 1861 · The Metropolitan Museum of Art
Same era · 1830s–1860s
Mount Chocorua and Moat Mountain from North Conway
William Hart · 1850
Same era · 1830s–1860s
Portrait of a Woman, Called Héloïse Abélard
Gustave Courbet · 1850 · The Metropolitan Museum of Art
Same era · 1830s–1860s
Woman Feeding Chickens
Jean-François Millet · 1850 · Art Institute of Chicago
Same era · 1830s–1860s
Arab Horseman Attacked by a Lion
Eugène Delacroix · 1849 · Art Institute of Chicago
Same era · 1830s–1860s
Joséphine-Éléonore-Marie-Pauline de Galard de Brassac de Béarn (1825–1860), Princesse de Broglie
Jean-Auguste-Dominique Ingres · 1853 · Metropolitan Museum of Art
Same era · 1830s–1860s
Olive Trees
Vincent van Gogh · 1853 · The Metropolitan Museum of Art
Same era · 1830s–1860s
Snow Storm: Steam-Boat off a Harbour's Mouth
J. M. W. Turner · 1842 · National Gallery
Same era · 1830s–1860s
Young Spartan Girls Challenging Boys
Edgar Degas · 1860 · Art Institute of Chicago
Same era · 1830s–1860s
An Arab Warrior
Mariano Fortuny Marsal · 1862 · Hispanic Society of America
Same era · 1830s–1860s
Alfred Sisley
Pierre-Auguste Renoir · 1864 · Foundation E.G. Bührle Collection

