DETAILS
- Artist
- Paul Signac
- Date
- 1895
- Medium
- Lithograph in pink, blue-gray, blue, green, dark green, yellow and orange on ivory wove paper
- Location
- Art Institute of Chicago
- Dimensions
- Image: 30.4 × 45.8 cm (12 × 18 1/16 in.); Sheet: 40.7 × 53.5 cm (16 1/16 × 21 1/8 in.)
- Collection
- Prints and Drawings
- Culture
- France
- Credit line
- Gift of Joseph R. Shapiro
ART MOVEMENTS
AUDIO DEEP DIVE
Stand in front of it and listen
The full narration walks you through The Andelys — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
THE ARTIST
Paul Signac
Paul Signac, a French Neo-Impressionist, transformed landscapes and seascapes into vibrant tapestries of color, meticulously applied in his signature Pointillist dots.
KEEP EXPLORING
More works to explore
Beyond Signac: works from the same years.
Same era · 1880s–1910s
A Woman Walking in a Garden
Vincent van Gogh · 1887 · Frans Buffa & sons
Same era · 1880s–1910s
Still Life with Crayfish
Mikhail Larionov · 1900 · Museum Ludwig
Same era · 1880s–1910s
A Sunday on La Grande Jatte — 1884
Okada Saburosuke · 1884 · Art Institute of Chicago
Same era · 1880s–1910s
Frauenkopf vor Sonnenblumen
Ernst Ludwig Kirchner · 1906 · Museum Frieder Burda
Same era · 1880s–1910s
Madame Léon Clapisson
Léon-Victor Dupré · 1883 · Art Institute of Chicago
Same era · 1880s–1910s
House and Courtyard
John Singer Sargent · 1895 · The Metropolitan Museum of Art
Same era · 1880s–1910s
Madame Thadée Natanson (Misia Godebska, 1872–1950) at the Theater
Henri de Toulouse-Lautrec · 1895 · The Metropolitan Museum of Art
Same era · 1880s–1910s
Poplars, Eragny
Camille Pissarro · 1895 · The Metropolitan Museum of Art
Same era · 1880s–1910s
Nurse and Child
Mary Cassatt · 1896 · The Metropolitan Museum of Art
Same era · 1880s–1910s
The Loire
Alfred Sisley · 1896 · Art Institute of Chicago
Same era · 1880s–1910s
Three Tahitian Women
Paul Gauguin · 1896 · The Metropolitan Museum of Art
Same era · 1880s–1910s
Ile aux Orties near Vernon
Claude Monet · 1897 · The Metropolitan Museum of Art
