Mogens Balle, 1960
This drawing by Mogens Balle playfully pairs human feet with a familiar Campbell's soup can, inviting us to look closely at the everyday through a surreal lens. It's a charming example of how an ordinary object can become art.
Mogens Balle's "Feet with Campbell's Soup Can" is a striking example of the Danish artist's playful and often surreal approach to everyday objects. Created in 1960, this drawing places a mundane, mass-produced item – the iconic Campbell's soup can – in an unexpected, almost intimate context with human feet. Balle, known for his experimental spirit and connections to the COBRA movement (though he was not a core member), frequently challenged conventional representation. While many of his works, like "Palace Ball," leaned into abstract expressionism, pieces such as this one show a different facet of his artistic exploration, merging figuration with a touch of the absurd. The choice of a ballpoint pen, a common and unpretentious tool, further underscores the artwork's directness and lack of pretension, inviting viewers to reconsider the ordinary with fresh eyes. This piece, alongside others in the Art Institute's collection like "Feet with Sea Shells," suggests a recurring motif in Balle's work of isolating and recontextualizing body parts with familiar items.
The delicate cross-hatching of the ballpoint pen.
The surprising realism of the feet.
The iconic red and white Campbell's soup can.
This drawing by Mogens Balle playfully pairs human feet with a familiar Campbell's soup can, inviting us to look closely at the everyday through a surreal lens…
Mogens Balle, a Danish painter, created vibrant, abstract works, often exploring the spontaneous and experimental.
Read Mogens's full story in Art Whisper