William Hogarth, 1725
This engraving by Phyllis Seltzer, part of her 'Hudibras' series, captures a scene of historical satire and political upheaval with intricate detail and dramatic flair, showcasing her versatile printmaking skill.
This fascinating engraving, "Burning the Rumps at Temple Bar," is plate eleven from Phyllis Seltzer's "Hudibras" series. While the artwork's specific year is not provided, Seltzer, born in 1928, was a prolific artist known for her diverse printmaking techniques, ranging from heat transfer prints and lithographs to woodcuts, as seen in works like "Lake Point Tower 2" or the "Psychology of Fire" series. This particular piece, an engraving, showcases her mastery of traditional printmaking, a skill evident in the intricate details and dramatic composition. The title itself suggests a historical or satirical theme, likely referencing the political turmoil of 17th-century England, a period often lampooned in Samuel Butler's satirical poem "Hudibras." Seltzer's engagement with such complex narratives through her printmaking offers a window into her intellectual curiosity and her ability to translate literary themes into compelling visual art.
The dense crowd and chaotic energy
Architectural details of Temple Bar
Flames and smoke rising from the 'rumps'
This engraving by Phyllis Seltzer, part of her 'Hudibras' series, captures a scene of historical satire and political upheaval with intricate detail and dramat…