Still Life #41

Tom Blackwell, 1964

MEDIUMSynthetic polymer paint on wood and plastic
DIMENSIONS121.9 × 152.4 × 20.3 cm (48 × 60 × 8 in.)
LOCATIONArt Institute of Chicago

Step into the mid-1960s with Tom Blackwell's "Still Life #41," a pivotal work from an artist who would become a leading Photorealist. This piece captures his unique blend of Pop Art influences and a burgeoning interest in photo-derived imagery, offering a window into his artistic evolution.

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ABOUT THIS WORK

Tom Blackwell's "Still Life #41" from 1964 offers a fascinating glimpse into the artist's transitional period, bridging his early abstract expressionist roots with the emerging Pop Art sensibilities that would eventually lead him to become a foundational figure in Photorealism. Born in Chicago, Blackwell initially experimented with Abstract Expressionism before embracing the Pop Art movement of the 1960s. This artwork, created just before he fully committed to Photorealism, showcases his early exploration of combining photo-derived imagery, a technique he would refine into his signature style. While the piece doesn't yet exhibit the hyper-realistic precision of his later works—such as his celebrated motorcycles, engines, or storefront windows—it captures the spirit of an artist finding his voice, moving away from purely abstract forms towards a more representational, yet still highly stylized, approach. It's a key example of the "Post-Pop paintings" that brought Blackwell early success, demonstrating his engagement with contemporary cultural imagery and foreshadowing the meticulous detail that would define his career.

ART MOVEMENTS
Photorealism
LOOK CLOSER

What to Notice

1

The interplay of wood and plastic textures

2

Bold, contrasting color blocks

3

Geometric shapes and lines

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Audio Deep Dive

Step into the mid-1960s with Tom Blackwell's "Still Life #41," a pivotal work from an artist who would become a leading Photorealist. This piece captures his u…

Hear the full story in the app
THE ARTIST
Tom Blackwell 1938–2020 · United States

Tom Blackwell, a leading first-generation Photorealist, captured the gleaming chrome of motorcycles and the complex reflections of storefront windows.

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