Faust: Part 1. Last Scene

Dante Gabriel Rossetti, 1846

MEDIUMPen and brown ink, brush and brown wash over graphite, on tan paper
DIMENSIONSSheet: 10 7/8 × 8 9/16 in. (27.7 × 21.7 cm)
LOCATIONThe Metropolitan Museum of Art

This early work by Dante Gabriel Rossetti, co-founder of the Pre-Raphaelite Brotherhood, captures a dramatic scene from Goethe's 'Faust,' showcasing his early mastery of literary illustration and intense emotional expression.

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ABOUT THIS WORK

Dante Gabriel Rossetti's 'Faust: Part 1. Last Scene' from 1846 offers a glimpse into the early artistic development of a figure who would soon co-found the revolutionary Pre-Raphaelite Brotherhood. Though created when Rossetti was just 18, the drawing already hints at the dramatic intensity and literary engagement that would define his mature work. Rossetti, known for his roles as a poet, illustrator, and painter, frequently drew inspiration from literature, and Goethe's 'Faust' was a powerful narrative that captivated many Romantic and Victorian artists. This piece, executed in pen and brown ink with wash, reflects a nascent stage of his signature style, which would later evolve into the richly symbolic and often melancholic canvases that influenced movements like Symbolism and the Aesthetic movement. While not as widely known as his later masterpieces like 'Beata Beatrix,' this early drawing provides valuable insight into the foundational interests and burgeoning talent of an artist who profoundly shaped 19th-century British art.

ART MOVEMENTS
AestheticismArts and Crafts movementPre-Raphaelite BrotherhoodSymbolism
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What to Notice

1

The dramatic use of light and shadow

2

The intense expressions of the figures

3

The detailed drapery and fabric folds

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Audio Deep Dive

This early work by Dante Gabriel Rossetti, co-founder of the Pre-Raphaelite Brotherhood, captures a dramatic scene from Goethe's 'Faust,' showcasing his early…

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THE ARTIST
Dante Gabriel Rossetti 1828–1882 · United Kingdom of Great Britain and Ireland

Dante Gabriel Rossetti, a founding member of the Pre-Raphaelite Brotherhood, blended poetry and painting to create evocative, symbolic works like "Beata Beatrix."

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