Noriega, 1867
Stop to see these three portraits, taken in 1867, depicting Emperor Maximilian and his generals just before their execution. It's a rare glimpse into a dramatic moment in Mexican history, captured with striking clarity.
This stark triptych of photographic portraits captures three figures at the heart of a pivotal moment in Mexican history: Emperor Maximilian and two of his generals, Tomás Mejía and Miguel Miramón. Created in 1867, the year of Maximilian's execution, these albumen silver prints from glass negatives possess a raw, almost documentarian quality. The figures are presented in simple, unadorned ovals, a common format for portraiture of the era, yet their expressions convey a sense of gravity, perhaps even resignation. The decision to group these three together underscores their shared fate, offering a poignant visual record of the final days of the Second Mexican Empire. The clarity and detail achieved through the albumen silver print process allow for an intimate examination of their faces, uniforms, and the somber mood of the time.
Observe the distinct uniforms of each man, reflecting their military ranks.
Note the somber expressions, particularly in Emperor Maximilian's central portrait.
See the oval framing, a popular photographic style of the mid-19th century.
Stop to see these three portraits, taken in 1867, depicting Emperor Maximilian and his generals just before their execution. It's a rare glimpse into a dramati…
Susana Noriega is a Mexican painter, one of several notable individuals sharing the Noriega surname.
Read Noriega's full story in Art Whisper