Untitled

Pierre Alechinsky, 1962

MEDIUMAquatint on ivory wove paper
DIMENSIONS47.5 × 38.5 cm (18 3/4 × 15 3/16 in.)
LOCATIONArt Institute of Chicago

Dive into the raw energy of Pierre Alechinsky's 1962 aquatint, a powerful example of his abstract expressionist style, influenced by his deep engagement with COBRA and Eastern calligraphy.

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ABOUT THIS WORK

Pierre Alechinsky's "Untitled" from 1962 is a striking example of his distinctive style, deeply rooted in the post-war European art movements of Expressionism, Tachisme, and COBRA. Born in Belgium and working in France since 1951, Alechinsky was a founding member of the influential COBRA group in 1949, which championed spontaneous, experimental art. This aquatint on ivory wove paper showcases the raw energy and gestural abstraction characteristic of his work from this period. By the early 1960s, Alechinsky's international reputation was growing, with exhibitions across Europe and the United States. His fascination with Chinese and Japanese calligraphy, which he explored during a trip to Japan in 1955, subtly informs the fluidity and expressive lines seen in many of his pieces, including this one. While abstract, his works often evoke a sense of primal energy and a dialogue between controlled mark-making and uninhibited expression, inviting viewers to engage with the artwork on an intuitive level. This piece, created when the artist was 35, reflects his mature engagement with the printmaking medium, allowing for intricate textures and tonal variations that enhance its dynamic composition.

ART MOVEMENTS
CoBrA
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What to Notice

1

The spontaneous, calligraphic lines

2

Variations in tone and texture from the aquatint process

3

The interplay of dark and light areas

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Audio Deep Dive

Dive into the raw energy of Pierre Alechinsky's 1962 aquatint, a powerful example of his abstract expressionist style, influenced by his deep engagement with C…

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THE ARTIST
Pierre Alechinsky 1927 · France

Alechinsky co-founded COBRA in 1949, then journeyed to Japan to film calligraphers — and never stopped mixing East and West on canvas.

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