Mikhail Larionov, 1903
A young Larionov's portrait of Natalia Goncharova, painted three years after they met—both future pioneers of Russian avant-garde art, captured here before their revolutionary break with tradition.
This intimate portrait from 1903 captures Natalia Goncharova, who would become one of Russia's most important avant-garde artists and Larionov's lifelong partner. Created just three years after they met at the Moscow School of Painting, Sculpture and Architecture, this work comes from Larionov's early Impressionist period, before he would pioneer Rayonism and radical abstraction. At age 22, Larionov was still a student under Isaac Levitan and Valentin Serov, already showing the technical skill that would later revolutionize Russian art. The portrait represents a fascinating historical document of two young artists at the beginning of their remarkable partnership—they would go on to found revolutionary art movements like the Donkey's Tail, collaborate on Diaghilev's Ballets Russes in Paris, and transform the course of modern art. In 1903, both artists were working in conventional representational styles, making this portrait a glimpse of Larionov before his radical break with tradition that would come after his 1906 Paris visit and exposure to Post-Impressionism.
The soft, impressionistic brushwork typical of Larionov's early period before abstraction
How this intimate portrait captures the young artist who would become his lifelong partner
The traditional, representational style before Larionov's radical turn to Rayonism
A young Larionov's portrait of Natalia Goncharova, painted three years after they met—both future pioneers of Russian avant-garde art, captured here before the…
Pioneered Rayonism in 1913, Russia's first abstract art movement, then designed for Diaghilev's legendary Ballets Russes.
Read Mikhail's full story in Art Whisper