The cannon 'Mons Meg' at Edinburgh Castle, and a private in the 2nd battalion of Royal Scots who garrisoned the Castle in 1846

David Octavius Hill, 1846

MEDIUMSalted paper print
DIMENSIONSImage/paper: 27.5 × 37.1 cm (10 7/8 × 14 5/8 in.); Mount: 38.9 × 50.8 cm (15 3/8 × 20 in.)
LOCATIONArt Institute of Chicago

Stop to see one of the earliest photographs of Edinburgh Castle, featuring a soldier and the legendary Mons Meg cannon. This image captures a moment in time with remarkable clarity, showcasing the artistic possibilities of early photography.

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ABOUT THIS WORK

This compelling early photograph captures a private in the 2nd battalion of the Royal Scots, standing guard with the formidable Mons Meg cannon at Edinburgh Castle. The soldier's stiff posture and the cannon's massive scale create a striking contrast, emphasizing both human duty and historical might. The scene is bathed in a soft, diffused light, characteristic of the salted paper print process, which lends a timeless quality to the ancient castle walls and the military figure. This image is a testament to the pioneering efforts of photography in Scotland, made by David Octavius Hill and Robert Adamson, who collaborated to explore the artistic potential of the new medium. They used photography not just for documentation, but to craft evocative scenes like this one, blending portraiture with landscape to tell a story of place and presence.

LOOK CLOSER

What to Notice

1

The intricate details of the soldier's uniform, from his cap to his gaiters

2

The massive, dark muzzle of the Mons Meg cannon, a medieval siege weapon

3

The rough texture of the castle's stone walls in the background

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Audio Deep Dive

Stop to see one of the earliest photographs of Edinburgh Castle, featuring a soldier and the legendary Mons Meg cannon. This image captures a moment in time wi…

Hear the full story in the app
THE ARTIST
David Octavius Hill

David Octavius Hill, a pioneering Scottish artist, captured the dramatic founding of the Free Church of Scotland through the then-new medium of photography, forever changing portraiture.

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