Final Study for "Bathers at Asnières"

Georges Rochegrosse, 1883

MEDIUMOil on panel
DIMENSIONS15.8 × 25.1 cm (6 1/4 × 9 7/8 in.); Framed: 54.3 × 63.9 × 6.1 cm (21 3/8 × 25 1/8 × 2 3/8 in.)
LOCATIONArt Institute of Chicago
COLLECTIONPainting and Sculpture of Europe
CULTUREFrance
CREDIT LINEGift of the Adele R. Levy Fund, Inc.

This small oil study, attributed to Georges Rochegrosse, offers a glimpse into a potential scene of bathers, a subject that contrasts with the artist's more famous historical and dramatic paintings. It provides an interesting insight into a preparatory stage of his artistic process.

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ABOUT THIS WORK

This small oil on panel, titled "Final Study for \"Bathers at Asnières\"", is attributed to Georges Rochegrosse, a French historical and decorative painter known for his large-scale, emotional, and often brutal works. Rochegrosse, who studied with Jules Joseph Lefebvre and Gustave Clarence Rodolphe Boulanger, made his Paris Salon debut in 1882, just a year before this study's creation. While the subject of bathers might seem like a departure from his usual themes of historical drama and violence, it's important to consider that this work is identified as a *study*. This suggests it might have been a preparatory piece for a larger, perhaps more narrative, composition that has either been lost or reimagined. Rochegrosse was celebrated for his strong and spirited painting, and even in this smaller format, one can imagine the potential for a grander scene. He was elected an Officer of the Legion of Honour in 1892, indicating his esteemed position within the French art world.

LOOK CLOSER

What to Notice

1

The figures' relaxed postures

2

The calm, reflective water

3

Hints of a distant industrial landscape

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Audio Deep Dive

This small oil study, attributed to Georges Rochegrosse, offers a glimpse into a potential scene of bathers, a subject that contrasts with the artist's more fa…

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THE ARTIST
Georges Rochegrosse 1859–1938 · France

Georges Rochegrosse was a French painter known for colossal historical scenes, often depicting brutal subjects, and his opulent Symbolist work like 'The Knight of Flowers.'

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