Keith Haring, 1981
These lively fiberglass vases showcase Keith Haring's iconic graphic style, bringing his energetic street art symbols into a fine art context. They capture the spirit of his early 1980s breakthrough, blending pop culture with social commentary.
These two fiberglass vases, covered in Keith Haring's signature ink marker drawings, are vibrant examples of his early 1980s work. Created in 1981, the same year he had his first solo exhibition and began collaborating with graffiti artist Angel 'LA II' Ortiz, they bridge the gap between street art and fine art. Haring, who emerged from the dynamic downtown New York art scene, was known for transforming everyday objects and public spaces into canvases for his distinctive visual language. His figures, often outlined in thick black lines and filled with energetic squiggles, derive from the vocabulary he developed in his iconic subway chalk drawings, featuring dancing figures, barking dogs, and radiant babies. Here, these animated symbols bring a playful yet powerful energy to a traditional art form, reflecting Haring's desire to make art accessible and integrate it into daily life, a philosophy he would later embody with his Pop Shop.
The bold, black outlines defining the figures.
The 'radiant baby' symbol, a Haring signature.
Energetic lines suggesting movement and sound.
These lively fiberglass vases showcase Keith Haring's iconic graphic style, bringing his energetic street art symbols into a fine art context. They capture the…
Keith Haring transformed New York City subway chalk drawings into a globally recognized visual language, addressing urgent social issues with his iconic Radiant Baby and dancing figures.
Read Keith's full story in Art Whisper