Artist's Breath

Piero Manzoni, 1960

MEDIUMBalloon, wooden base
DIMENSIONS18 × 18 cm (7 × 7 in.)
LOCATIONArt Institute of Chicago

Piero Manzoni's "Artist's Breath" captures the artist's very essence in a balloon, playfully questioning what art can be and the value we place on an artist's touch, even something as fleeting as a breath.

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ABOUT THIS WORK

Piero Manzoni's "Artist's Breath" is a playful yet profound commentary on the nature of art and the artist's role. Created in 1960, this piece consists of a simple balloon, inflated with the artist's own breath, and affixed to a wooden base bearing his name. Manzoni, an Italian artist known for his ironic and avant-garde approach, frequently challenged traditional notions of art objects and materials. This work emerged contemporaneously with his "Bodies of Air" series, which also featured balloons, and directly prefigures Conceptual Art by questioning what constitutes an artwork.

"Artist's Breath" can be seen as a critique of the art world's obsession with permanence and value, while simultaneously offering a poignant memento mori. By encapsulating something as ephemeral as breath, Manzoni transforms the intangible into a commodity, inviting viewers to consider the artist's presence and essence within the artwork itself. This piece reflects Manzoni's broader artistic practice, which eschewed conventional materials in favor of everyday objects and even bodily substances, often anticipating and influencing the Arte Povera movement and a generation of younger Italian artists.

ART MOVEMENTS
Arte Povera
LOOK CLOSER

What to Notice

1

The simple, unassuming balloon

2

The wooden base with the artist's inscription

3

The visible inflation of the balloon

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Audio Deep Dive

Piero Manzoni's "Artist's Breath" captures the artist's very essence in a balloon, playfully questioning what art can be and the value we place on an artist's…

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THE ARTIST
Piero Manzoni 1933–1963 · Italy

Piero Manzoni challenged the very definition of art with audacious works like 'Artist's Shit,' turning everyday objects and even bodily functions into conceptual statements.

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